Together, with Hopes parents Janet van Dyne (Michelle Pfeiffer) and Hank Pym (Michael Douglas), and Scotts daughter Cassie Lang (Kathryn Newton), the family finds themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought possible. Unfortunately, Eva either doesnt know or refuses to know what a more meaningful relationship with her son would look like; thus when their dinner begins with her asking him how school is going, Kevin immediately shuts her down, offering up a clichd mother/son dialogue full of rote questions and deadened responses. Ramsay simulates these associative memories, jumping back and forth between the past and the present. By. KATY: Yeah, I was so jealous, because I really loved it. See production, box office & company info. He is loving and affectionate with his father, Franklin (John C. Reilly), and has a way of making it clear that it's a deliberate charade designed only to hurt Eva. His attitude towards his son is warmer, but underneath there's no more depth than there is with Eva. In We Need to Talk about Kevin, Eva is literally on trial for parental negligence. How would I behave if basically the weight of a literal realm was on my shoulders? It is good to be more sensitive to the plights of children in general. We see it in the wall of canned tomatoes that play backdrop to Evas anxiety attack in a supermarket, and the Cabernets she drowns her sorrows with. Before the film opens, the character referred to in the title of Lynne Ramsay's We Need to Talk About Kevin, at the age of 15, has massacred a number of his fellow schoolmates. Author Lionel Shriver on her early writing, politics, essential reading list and persevering out of 'sheer spite'. Between the ages of 6 and 8 years old, played by Jasper Newell, he is a clever little monster who glares at Eva hurtfully, soils his pants deliberately and drives her into such a fury that she breaks his arm. He is her., Her identity forever defined by the horrors inflicted by her son, Evas punishment is her loneliness. I bring what is actually happening and the severity of what's actually happening to level out, I guess, this part of the movie, because on the other side, you got Kang and Janet are being very, very serious too on that side of things. Though unlike the Shakespearean character, the question of Evas guilt has a lot less cut-and-dried answer. "We Need to Talk About Kevin" is a movie adaptation of Lionel Shriver's novel with the same title. She could move away for a fresh start, but she's shown setting up a room for him, complete with his navy blue bedding and Robin Hood book. But it also doesn't set out to wag a moral finger or make any grand, sweeping statements. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. For the first portion of the film, the leaps back and forth in time caused needless confusion. Kevin examines both our darkest moments and those slivers of Grace that sustain us. At one point, she mockingly coos at him, "Mommy was happy before little Kevin came along. Some interpreted scene at the gym as her being repulsed by pregnant bodies, but I am thinking she was like "why can't I be happy and bubbly with this child like they are?" Still, the film should not be overshadowed by its leads performance, as is often the case with female Oscar nominees. The white curtains create an ambiance of premonition, and as the camera tracks forward, we see Franklin and Celia lying dead in the middle of the back garden, blood-drenched arrows stuck to their bodies like leeches. So, his dressing sense is perhaps not an indictment of his bitterness. So, seeing Kathryn, to me, her character Cassie was just someone who didn't understand the reality of the situation. The ending of the film leaves Eva's fate up in the air. The opening shot fades to white, before cutting to a sea of red in the next sequence, foreshadowing the bloodshed to come. Her public perception is unlikely to change, but Eva appears firm in her choice to stick around for Kevin's sake. The light outside disappears. We Need to Talk About Kevin is already playing in NYC; it opens today in LA, Chicago, Houston and Phoenix and is rolling out nationwide. Copyright 2023. All the community rules apply here. What kind of a kitchen has empty counters? Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. It'd be so much fun. In a film otherwise devoid of hope, these subtle suggestions give the audience a sense of comfort. Last March, Bruce Willis family said his aphasia had affected his cognitive abilities. We gather she didn't want to get pregnant, isn't sure why she's married, is a mother who tries to mask hostility with superficial kindness. We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie (2011) HD - YouTube 0:00 / 2:18 We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie. The film moves without any pattern between past, present and who knows when. They never talk about Kevin. Don't use this space to complain about the average rating, chart position, genre voting, others' reviews or ratings, or errors on the page. The most plausible answer is that Kevin killed the family to hurt his mother. It is an epistolary novel, comprising the letters that Eva Khatchadourian writes to her husband Franklin in the aftermath of their son's crime. 1 'Gonjiam: Haunted Asylum' (2018) Image via Showbox. What feels like a simple story feels so much larger due to the development of every character and the world around them, it almost feels like you know these characters personally and feel for them when something happens, that is a what great movie does. Sign up for weekly updates from Busted Halo! Like Jentorra kind of was the reason that her society collapsed in a way, in the comic books. One day, Celia loses one of her eyes from toxic cleaning supplies, and Kevin becomes a prime suspect. He can't understand her, but don't you suppose he understands her dislike? Shriver welcomes the sharply divided interpretations, writing in the Harper Perennial P.S. That's the underlying message of We Need to Talk about Kevin, Lynne Ramsey's remarkable allegory on the transcendent nature of relationships. ANT-MAN AND THE WASP: QUANTUMANIA Star Katy O'Brian On Deleted Bill Murray Scene, Backstory & More (Exclusive). Contact | The real horror in the movie is society's dogmatic conception of motherhood, and the pressure to live up to it. Swinton is collecting a bevy of early plaudits and nominations, as well she should. All logos and images used on this website are registered trademarks of their respective companies. At one point, she mockingly. For example, sociopaths are more erratic, and they dont make drastic decisions such as Kevins. Kevin's bedroom is actually the biggest red flag in the film, and the fact that neither Eva nor Franklin noticed that Kevin's bedroom clearly displays the signs of mental illness until he was fifteen years old proves beyond a shadow of a doubt that Franklin had never looked in his bedroom, wasn't interested in his interests or hobbies, and didn't want to know what he did in his spare time. Eva finally asks why he did it. Franklin, on the other hand, does not give him a path to honest interactions. describes the "nature vs. nurture" debate. Eva can only play at being mommy, and so when Kevin refuses her attempts to breastfeed and is only appeased by the presence of his affable father, played by John C. Reilly, her whole world crashes down around her and her value as a person comes into question. She has something of an answer as to why Kevin committed such terrors, but where does that leave her? She obviously feels complicit and takes on the role of communal scapegoat as a way to expiate her own guilt as well as to grieve the loss of her family. Being a child somehow means they're inherently innocent. She finally gets her excuse to abandon Kevin but doesn't act on it. Likewise, don't respond to trollish comments; just report them and ignore them. This comes to a head when Kevin has learned that pooping his pants is the quickest way to his mother's heart, and the time she shows him the most attention - but that attention is always disgust. Eva, in turn, becomes more protective of Celia. Putting herself through a painful process of introspection, she revisits moments from well before Kevin's birth to the eventual tragedy. Eve disobeyed, she ate the apple and she was punished by becoming not only human but also a mother. this is the best pro-antinatalism PSA out there . BBC Films There's the Good Mother, like Diane Freeling who travels to another dimension to save her daughter in Poltergeist. The film moves without any pattern between past, present and who knows when. Through association and contextualization, it becomes evident that Kevin killed his father and sister with the new and powerful bow and arrow that he received as a Christmas present from his father. There are two really great examples of this: the first is the bow. Cookie Notice SPOILER. She asks Kevin why he didn't kill her. He doesn't have the emotional capacity to have a disturbed son, and so has decided that he doesn't and that's the end of it. The real horror in the movie is society's dogmatic conception of motherhood, and the pressure to live up to it. Theres a possibility that maybe before all this happened that there was that naivete to Jentorra, but yeah, I don't know that she was re-inspired by Cassies energy, I guess, as much as like, Hey, this is the real world and you need to kind of catch up to where we are.. But when he just sits there frowning, she expresses real disgust towards him. As a teenager, Kevin (now played by Ezra Miller) has started to cruelly resemble his mother in profile and hairstyle. There are two really great examples of this: the first is the bow. I think Jentorra felt a little betrayed by her, and there was no real reconciliation with them at the end. As a portrait of a deteriorating state of mind, "We Need to Talk About Kevin" is a masterful film. If you look one level deeper it's clear that Kevin was deeply and horribly emotionally abused by both of his parents, and in a genuinely loving family he would not have turned out the way he did. This review of the film was originally published on December 22, 2011. Footsteps approach the tent and a figure walks past. Kevin is far too malevolent, which might work in a Rosemary's Baby horror context, but not here (admittedly it does verge on horror at times but ultimately we are asked to empathise with Eva's travails as a mother). Index | As Robin Hood, little Kevin appears in a similar-looking shirt. Alienated from friends and community, all she has left is her son. David Badash. Written by Julia Wolf. You couldnt have possibly thought that seeing someone eat lychee would be so distressing, but Ezra Miller makes it happen. When he breaks his arm? But Kevin is just getting started, and his final act will be beyond anything anyone imagined. But it's also pretty surface level. The real horror in We Need to Talk About Kevin is society's dogmatic conception of motherhood,and the pressure to live up to it. Was he acting out to punish Eva? She has a career as a writer put on hold, while her husband Franklin (O'Reilly, at his most oblivious) carries on. But the two most significant and poignant moments are found at the end of the film, when the 18-year-old Kevin, two years into a prison sentence for a heinous incident at his high school (yes, its as bad as you think), responds to his mothers query as to why he did what he did. Votes are used to help determine the most interesting content on RYM. I mean, there's no room for the leader of the rebellion to give up. In a fit of rage at Kevin's soiling his diapers (at 7), Eva throws him down and breaks his arm. Is her husband as zoned out as he seems or is that only her perception? Kevin appears in a short sleeve red shirt as a toddler. While she's on the run when we meet her, it's the arrival of Scott (Paul Rudd) and Cassie Lang (Kathryn Newton) that brings her right back into the thick of the action. Of course, that mental illness is presumed by viewers. Kevin was not necessarily abused or tortured as a child, many kids endure much worse and did not end up as mass killers. Kevin poops in his pants, and thinking this act to be deliberate, Eva throws him to the ground, breaking his arm. We're supposed to understand Kevin through Eva's flashbacks, which are indeed confusing, but not chronologically, where the difference lies solely in Tilda Swinton's hairstyle. From the beginning, Eva is detached from motherhood. When his father is around, Kevin behaves like a charming and enthusiastic kid. It's so convincing that it has the opposite effect on us, convincing us of her innocence and her son's innate evil - how could someone so pitiful, so sorrowful, so emotionally sensitive be responsible for the development of a totally psychopathic mind? 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